{"id":133930,"date":"2025-02-03T15:36:41","date_gmt":"2025-02-03T14:36:41","guid":{"rendered":"https:\/\/abaroma.it\/lidea-texts-sources-lexicon-designs\/"},"modified":"2025-02-03T15:36:41","modified_gmt":"2025-02-03T14:36:41","slug":"lidea-texts-sources-lexicon-designs","status":"publish","type":"page","link":"https:\/\/abaroma.it\/en\/lidea-texts-sources-lexicon-designs\/","title":{"rendered":"L’IDEA | Texts, Sources, Lexicon \u2022 Designs"},"content":{"rendered":"

L’IDEA | Texts, Sources, Lexicon \u2022 Designs<\/strong><\/h1>\n

Digital journal of artistic literature, the history of philosophy, linguistics and the history of design<\/strong><\/h3>\n

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e-ISSN<\/strong> 3035-2452 | DOI<\/strong> 10.69114\/LIDEA\/ | <\/strong>Annual publication | Language<\/strong> en, it, fr | ERC<\/strong> SH5 \u2013 SH4_10<\/p>\n

L\u2019IDEA is a publishing project in the field of the humanities, art history and drawing, inspired by the legacy of Leonardo da Vinci and Federico Zuccari \u2013 two focal points within the broader context of European intellectual history, around which researchers from various disciplines (including art history, the history of philosophy, linguistics & history and connoisseurship<\/em> of design), different European universities and institutes, who come together to share common perspectives and interests.
\nThe journal is published annually in open access digital format. Each issue consists of two parts: Texts, Sources, Lexicon and Designs<\/em>. It offers the scientific community original articles of an international scope (in the main languages: English, French, Italian), subject to double-blind peer review<\/em>.
\nIDEA is the result of research carried out by the Research Unit of the Academy of Fine Arts in Rome as part of the PRIN 2022 project, IDEA | Zuccari Digital Corpus: Texts, Contexts, Sources and Lexicon, funded by the European Union (NextGenerationEU) and the Ministry of University and Research, and co-funded by the Academy of Fine Arts in Rome.<\/p>\n

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Scientific Director
\nVita Segreto (Academy of Fine Arts in Rome)<\/p>\n

Scientific Committee
\nAnnarita Angelini (Alma Mater Studiorum, University of Bologna)
\nJuliana Barone (The Warburg Institute and Birbeck College, University of London)
\nDaniele Benati (Alma Mater Studiorum, University of Bologna)
\nJohannes Bartuschat (University of Zurich | UZH)
\nSalvatore Carannante (University of Trento)
\nDavid Ekserdjian (University of Leicester)
\nCaterina Furlan (University of Udine)
\nKetty Gottardo (The Courtauld, Prints and Drawings Department, London)
\nDagmar Korbacher (Staatliche Museen, Kupferstichkabinett, Berlin)
\nDonata Levi (University of Udine)
\nCatherine Loisel (Mus\u00e9e du Louvre, Department of Graphic Arts, Paris)
\nVeronique Meyer (University of Poitiers, Criham Laboratory)
\nNicola Panichi (Scuola Normale Superiore of Pisa)
\nPatrizia Pellizzari (University of Turin)
\nRoberto Rea (University of Rome Tor Vergata)
\nVittoria Romani (University of Padua)
\nAlessandra Trotta (University of Salerno)
\nFranca Varallo (University of Turin)
\nCatherine Whistler (Ashmolean Museum, University of Oxford)<\/p>\n

Editorial Committee
\nAngelamaria Aceto (Ashmolean Museum, University of Oxford)
\nLuca Baroni (Marche Nord Museum Network)
\nThomas Dalla Costa (Independent Scholar and Curator)
\nGloria De Liberali (The Metropolitan Museum of Art, New York)
\nFrancesco Guidi (Alma Mater Studiorum , University of Bologna and DTC-Lazio)
\nH\u00e9l\u00e8ne Gasnault(Beaux-Arts, Collections des dessins, Paris)
\nFrancesco Grisolia (University of Rome Tor Vergata)
\nGrant Lewis (The British Museum,Department of Prints and Drawings, London)
\nNino Nanobashvili(Gutenberg-Museum, Mainz)
\nMarco Sgattoni (University of UrbinoCarlo Bo)
\nVincenzo Stanziola (Capodimonte Museum,
\nDepartment of Drawings and Prints, Naples)<\/p>\n

Visual design
\nFrancesca Ceccarelli<\/p>\n

Software engineering
\nGiacomo Fabbian<\/p>\n

Academy of Fine Arts in Rome
\nVia di Ripetta, 222 \u2022 00186 Rome (RM)<\/p>\n

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