{"id":131574,"date":"2022-10-31T12:26:43","date_gmt":"2022-10-31T11:26:43","guid":{"rendered":"https:\/\/abaroma.it\/docenti\/prof-andrea-attardi\/"},"modified":"2022-10-31T12:26:43","modified_gmt":"2022-10-31T11:26:43","slug":"prof-andrea-attardi","status":"publish","type":"docenti","link":"https:\/\/abaroma.it\/en\/docenti\/prof-andrea-attardi\/","title":{"rendered":"Prof. Andrea Attardi"},"content":{"rendered":"<p>Andrea Attardi (Rome, 1957), writer and photographer, taught Photography Technique at the Academy of Fine Arts in Palermo from 1984 to 1995 and currently holds the Chairs of Photography, History of Photography Criticism and Photography for Cultural Heritage at the Academy of Fine Arts in Rome. He teaches History of 20th-Century Photography at the Associazione Culturale Officine Fotografiche in Rome.<br \/>\nAfter producing numerous photo reports in Arab, African and Asian countries (Morocco, Tunisia, Egypt, Jordan, North Yemen, Kenya, Somalia, Tanzania, C\u00f4te d\u2019Ivoire, India, Nepal), he turned his attention to the social realities of Latin America, in particular Cuba, Brazil, Uruguay and Argentina.<br \/>\nIn 2003, he published the essay \u201cBuenos Aires ora zero\u201d (Ed. Desiderio &#038; Aspel), which focuses on the life and recent history of the Argentinian capital.<br \/>\nIn addition to his work as a photographer, he also acts as a curator and critic for exhibitions and photography books: he wrote the texts for Francesca Romana Guarnaschelli\u2019s exhibition \u2018Promessa Terra\u2019, held as part of the 2013 Rome International Photography Festival, and for Enrico Nicol\u00f2\u2019s books \u2018Oltre il visibile\u2019 (2013) and \u2018Sgrid\u00f2 il mare e i venti\u2019 (2014).<br \/>\nHe has exhibited his photographs in private galleries and public institutions, including Rome (from &#8216;Il Fotogramma&#8217; in 1982 to &#8216;Fotoleggendo&#8217; in 2009), Perugia, Florence, Turin, Trieste, Bari (Provincial Art Gallery, 1986), Palermo (Ellearte Gallery, 2009), Ferrara (Palazzo dei Diamanti, 1984), Marsala (Carmine Convent, 2009), London, Paris (Centre Georges Pompidou, 1983), Recife (Italian Cultural Institute, 1997), New York (JFK Airport, 1999), and Buenos Aires (University of Bologna and Floreal Gorini Cultural Centre, 2005\u20132006).<br \/>\nAndrea Attardi is the author of the following books: &#8216;Sul palcoscenico di Minerva&#8217; (1982), &#8216;Paris\/Soupault&#8217; (1983), &#8216;Giornale di bordo&#8217; (1984), &#8216;Per la libert\u00e0&#8217; (1987), &#8216;Indie&#8217; (1986), &#8216;Atlante di Sicilia&#8217; (1994), &#8216;Paesaggi siciliani&#8217; (2001), &#8216;Vetri, porti: una corsa per Palermo e dintorni&#8217; (2009) and &#8216;Breviario siciliano&#8217; (2012).<br \/>\nThe images from his latest book, \u201cBreviario siciliano\u201d (Ed. Postcart, 2012) have been exhibited at Spazio Ducrot (Rome, 2013), at the Brodway bookshop in Palermo (2013) and at the Pier Paolo Pasolini Cultural Centre in Agrigento (2014).<br \/>\nThe following have written about his photographic work: Piero Berengo Gardin, Giuseppe Cannilla, Aldo Gerbino, Diego Mormorio, Silvia Pegoraro, Angelo Pitrone, Giovanni Semerano, Enzo Siciliano, Philippe Soupault, Ennery Taramelli, Sergio Troisi and Giuseppe Turroni.<\/p>\n","protected":false},"featured_media":119307,"template":"","meta":{"_acf_changed":false},"class_list":["post-131574","docenti","type-docenti","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/docenti\/131574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/docenti"}],"about":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/types\/docenti"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/media\/119307"}],"wp:attachment":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/media?parent=131574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}