{"id":131443,"date":"2022-11-02T10:59:03","date_gmt":"2022-11-02T09:59:03","guid":{"rendered":"https:\/\/abaroma.it\/docenti\/prof-beatrice-peria\/"},"modified":"2022-11-02T10:59:03","modified_gmt":"2022-11-02T09:59:03","slug":"prof-beatrice-peria","status":"publish","type":"docenti","link":"https:\/\/abaroma.it\/en\/docenti\/prof-beatrice-peria\/","title":{"rendered":"Prof. Beatrice Peria"},"content":{"rendered":"<p>Beatrice Peria is an art historian with a background in iconology. She has published specialist studies on the iconography of 16th-century Venetian art, but has also researched and published essays on the relationship between word and image, on 19th-century Italian painting (notably, she compiled the catalogue of the Dexia Crediop collections) and on the artist\u2019s book, and has curated exhibitions of contemporary artists. She has collaborated with Il Trovaroma (a supplement to La Repubblica), providing reviews of the main exhibitions in Rome from 1991 to 1995; with RAI\u2019s School and Education Department; with the ICCD (Central Institute for Catalogue and Documentation); and with the Molise Superintendence for Archaeology, Fine Arts and Landscape.<br \/>\nSince 1989, she has been a tenured lecturer at the Academy of Fine Arts, where she has held numerous institutional positions, including that of Deputy Director.<br \/>\nShe was the Erasmus Project Coordinator for over 15 years. She teaches Art History at the Academy of Fine Arts in Rome, where she also coordinates international projects.<br \/>\nShe is an ANVUR (National Agency for the Evaluation of Universities and Research) assessor lecturer for AFAM (Higher Education Art, Music and Dance Academies).<br \/>\nHer current interests focus on the continuity and circulation of themes and motifs across classical, modern and contemporary art. She recently published the book La prospettiva invisibile. Forme visuali della temporalit\u00e0 dell&#8217;arte (The Invisible Perspective. Forme visuali della temporalit\u00e0 dell\u2019arte (2022, L\u2019Erma di Bretschneider).<\/p>\n","protected":false},"featured_media":118840,"template":"","meta":{"_acf_changed":false},"class_list":["post-131443","docenti","type-docenti","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/docenti\/131443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/docenti"}],"about":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/types\/docenti"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/media\/118840"}],"wp:attachment":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/media?parent=131443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}