{"id":131420,"date":"2022-11-02T12:07:01","date_gmt":"2022-11-02T11:07:01","guid":{"rendered":"https:\/\/abaroma.it\/docenti\/prof-elena-giulia-rossi\/"},"modified":"2026-08-27T09:18:31","modified_gmt":"2026-08-27T07:18:31","slug":"prof-elena-giulia-rossi","status":"publish","type":"docenti","link":"https:\/\/abaroma.it\/en\/docenti\/prof-elena-giulia-rossi\/","title":{"rendered":"Prof. Elena Giulia Rossi"},"content":{"rendered":"

Through a series of research-related activities, she has been exploring the intersection of art, science and technology since the late 1990s. The analysis of new forms of experimental and multidisciplinary production has often coincided with that of the many socio-anthropological facets of contemporary culture. After graduating from La Sapienza University with a degree in Arts and Philosophy \u2013 specialising in Contemporary Art History \u2013 she went on to complete a Master\u2019s degree in Arts Administration at The School of the Art Institute of Chicago. In the United States, she has collaborated with the Renaissance Society at the University of Chicago, the Joan Flasch Artists\u2019 Book Collection (2002) at The School of the Art Institute of Chicago, and the P.S.1 Contemporary Art Center (2001) in New York. She has taken part in various conferences and seminars in Italy and abroad. Her research also includes the projects she curated at the MAXXI Museum in Rome, with which she collaborated from 2003 to 2012: NetSpace (2005\u20132008) and NetinSpace (2010). In 2015, she contributed to the 9th Appendix of the Treccani Encyclopaedia, writing entries on: “Internet art” and “Bio Art”. She is currently the editorial director of the online platform Arshake. Reinventing Technology (www.arshake.com<\/a>), which she founded in 2013. She occasionally writes for catalogues, magazines and newspapers. She is the author of Archeonet. Viaggio nella storia della net\/web art e suo ingresso nei musei tradizionali<\/em> (Lalli Editore, Siena 2003) and Mind the Gap. La vita tra bioarte, arte ecologica e post internet<\/em> (postmedia, Milan 2020), as well as numerous essays published in Italy and abroad, including: Sulla soglia di spazi liminali. Dall\u2019architettura live all\u2019Object Oriented Space in Chiara Passa, Object Oriented Space. Viaggio nelle dimensioni invisibili dello spazio<\/em>, Gangemi Editore, Rome, 2019, pp. 38 \u2013 47; The Vitalist Museum. Entre l’art de la vie et la vie de l’art, in “Bioart Et \u00c9thique”<\/em>, published by Marion Laval \u2013Jeantet, Paolo Stellino, and Guillaume Bagnolini, \u00c9dition CQFD, Mentreuil 2019, pp. 155-179; The Touch of Language in art, science, and in shaping the world<\/em>, in: “The New and History art*science 2017 Conference Proceedings”, published by Pier Luigi Capucci and Giorgio Cipolletta, NOEMA Media & publishing, 2018, pp. 179 \u2013 185 \u2013 187 (English); Photographing within the Ubiquitarian Image<\/em>, in “Searching for a New Way. Critical Engagement in Contemporary Art since 2000”, Metronom Books, Modena, 2017, pp 111 \u2013 116; Nuove sensibilit\u00e0 elettroniche<\/em>, in “Omaggio a Gillo Dorfles. Atti del Convegno”, Fondazione Filiberto Menna, Salerno 2012.<\/p>\n","protected":false},"featured_media":118385,"template":"","meta":{"_acf_changed":false},"class_list":["post-131420","docenti","type-docenti","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/docenti\/131420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/docenti"}],"about":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/types\/docenti"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/media\/118385"}],"wp:attachment":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/media?parent=131420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}