{"id":131420,"date":"2022-11-02T12:07:01","date_gmt":"2022-11-02T11:07:01","guid":{"rendered":"https:\/\/abaroma.it\/docenti\/prof-elena-giulia-rossi\/"},"modified":"2022-11-02T12:07:01","modified_gmt":"2022-11-02T11:07:01","slug":"prof-elena-giulia-rossi","status":"publish","type":"docenti","link":"https:\/\/abaroma.it\/en\/docenti\/prof-elena-giulia-rossi\/","title":{"rendered":"Prof. Elena Giulia Rossi"},"content":{"rendered":"

Through a series of research-related activities, she has been exploring the intersection of art, science and technology since the late 1990s. Her analysis of new forms of experimental and multidisciplinary production has often coincided with her analysis of the numerous socio-anthropological facets of contemporary culture. After graduating from La Sapienza University with a degree in Literature and Philosophy (History of Contemporary Art specialisation), she completed a Master\u2019s in Arts Administration at The School of the Art Institute of Chicago. In the United States, she has collaborated with the Renaissance Society at the University of Chicago, with the Joan Flasch Artists\u2019 Book Collection (2002) at The School of the Art Institute of Chicago, and with the P.S.1 Contemporary Art Center (2001) in New York. She has taken part in various conferences and seminars in Italy and abroad. Her research also includes the projects she curated at the MAXXI Museum in Rome, with which she collaborated from 2003 to 2012: NetSpace (2005\u20132008) and NetinSpace (2010). In 2015, she contributed to the 9th Appendix of the Treccani Encyclopaedia, writing the entries on Internet Art and Bio Art. She is currently the editorial director of the online platform Arshake. Reinventing Technology (www.arshake.com<\/a>), which she founded in 2013. She occasionally writes for catalogues, magazines and news outlets. She is the author of Archeonet. Viaggio nella storia della net\/web art e suo ingresso nei musei tradizionali<\/em> (Lalli Editore, Siena, 2003) and Mind the Gap. La vita tra bioarte, arte ecologica e post internet<\/em> (postmedia, Milan, 2020), as well as numerous essays published in Italy and abroad, including: Sulla soglia di spazi liminali. From Live Architecture to Object-Oriented Space in Chiara Passa, Object-Oriented Space. Viaggio nelle dimensioni invisibili dello spazio<\/em>, Gangemi Editore, Rome, 2019, pp. 38\u201347; The Vitalist Museum. Entre l\u2019art de la vie et la vie de l\u2019art, in \u2018Bioart Et \u00c9thique\u2019<\/em>, edited by Marion Laval-Jeantet, Paolo Stellino, and Guillaume Bagnolini, \u00c9dition CQFD, Mentreuil 2019, pp. 155\u2013179; The Touch of Language in art, science, and in shaping the world<\/em>, in: \u2018The New and History art*science 2017 Conference Proceedings\u2019, edited by Pier Luigi Capucci and Giorgio Cipolletta, NOEMA Media & Publishing, 2018, pp. 179\u2013185, 187 (English); Photographing within the Ubiquitarian Image<\/em>, in \u2018Searching for a New Way. Critical Engagement in Contemporary Art since 2000\u201d, Metronom Books, Modena, 2017, pp. 111\u2013116; Nuove sensibilit\u00e0 elettroniche<\/em>, in ‘Omaggio a Gillo Dorfles. Atti del Convegno’, Fondazione Filiberto Menna, Salerno 2012.<\/p>\n","protected":false},"featured_media":118385,"template":"","meta":{"_acf_changed":false},"class_list":["post-131420","docenti","type-docenti","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/docenti\/131420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/docenti"}],"about":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/types\/docenti"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/media\/118385"}],"wp:attachment":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/media?parent=131420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}