{"id":131405,"date":"2022-11-02T12:23:43","date_gmt":"2022-11-02T11:23:43","guid":{"rendered":"https:\/\/abaroma.it\/docenti\/prof-novella-tabili\/"},"modified":"2022-11-02T12:23:43","modified_gmt":"2022-11-02T11:23:43","slug":"prof-novella-tabili","status":"publish","type":"docenti","link":"https:\/\/abaroma.it\/en\/docenti\/prof-novella-tabili\/","title":{"rendered":"Prof. Novella Tabili"},"content":{"rendered":"<p>Novella Tabili graduated in 1985 in Scenography from the Academy of Fine Arts in Rome. She made her debut in 1984, at the Teatro Ponchielli in Cremona, with the sets for Ponchielli&#8217;s I Lituani. Subsequently, she designed the sets for productions at traditional opera houses and theatres: Cavalleria Rusticana by Mascagni; Nabucco and Un ballo in maschera by Verdi; L&#8217;elisir d&#8217;amore by Donizetti; Macbeth by Verdi; Andrea Ch\u00e9nier by Giordano; and The Barber of Seville by Rossini. During the same period, she also directed La traviata, Turandot and Aida. In 1998, at the Teatro S. Pedro in S\u00e3o Paulo, Brazil, she designed the set for Rossini&#8217;s La Cenerentola. In 2007, for the Opera Season at the Teatro Vittorio Emanuele in Messina, she designed the sets for Adriana Lecouvreur by F. Cilea. From 1990 to 2016, she staged numerous operas for the Aurora Opera House in Malta, serving as stage director, set designer and costume designer: La Boh\u00e8me (1990 and 2008), Il Trovatore (1993 and 2014), Carmen (1995, 2010 and 2016), Turandot (1996 and 2012), Fedora, La Traviata (1998 and 2015), Aida (1999 and 2009), La Forza del Destino, Madama Butterfly, The Barber of Seville, Tosca (2011), and Falstaff (2013). Since 1995, she has been a lecturer in Scenography at the Academy of Fine Arts. In 2006, she gave a seminar at the Facultad de Bellas Artes in Seville on the topic of The Italian Stage. In collaboration with the Academy, she has worked on the creation of scenographies, research projects and artistic productions aimed at broadening the artistic experience of the Academy\u2019s students.<\/p>\n","protected":false},"featured_media":118322,"template":"","meta":{"_acf_changed":false},"class_list":["post-131405","docenti","type-docenti","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/docenti\/131405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/docenti"}],"about":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/types\/docenti"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/media\/118322"}],"wp:attachment":[{"href":"https:\/\/abaroma.it\/en\/wp-json\/wp\/v2\/media?parent=131405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}